Documentary Growing 1981 Larry Rivers [repack] Download Here
The documentary you are looking for is likely (1981), a controversial and largely suppressed video work by the American artist Larry Rivers Overview of "Growing" (1981)
If you are genuinely seeking a real documentary related to Larry Rivers from that period, the closest existing works are: Documentary Growing 1981 Larry Rivers Download
The most reliable way to view the film is to contact the Larry Rivers Foundation or inquire at the Film Study Center of the Museum of Modern Art for on-site viewing. For researchers and educators, interlibrary loan may provide access to a digitized preservation copy under fair use provisions. The documentary you are looking for is likely
From 1976 to 1981, Larry Rivers used a video camera to record his daughters, Emma and Gwynne, at six-month intervals. The project, which he ultimately edited into a 45-minute film in 1981, focused on the physical changes in their bodies. Value: Growing is valuable as a close, empathetic
If you're looking to download a documentary or any content related to Larry Rivers from 1981, here are a few suggestions on where to start:
- Value: Growing is valuable as a close, empathetic portrait of a complicated figure—useful to students, art historians, and general audiences interested in creative process, mid‑ to late‑20th-century American art, and the dynamics of artistic reputation. It documents material practices and personal reflections that are often absent from critical texts. For viewers encountering Rivers primarily through reproductions, the film offers a necessary sense of scale, gesture, and personality.
- Limitations: As a short documentary, Growing cannot fully map Rivers’s vast production or the entire web of critical debates surrounding him. It privileges a particular perspective—largely sympathetic and centered on Rivers himself—which may underrepresent dissenting critical voices or deeper institutional analyses. Viewers seeking exhaustive scholarship should supplement the film with monographs, exhibition catalogs, and critical essays.
2. Growing as a public body.
By 1981, Rivers was 58, but he played the part of the eternal adolescent: saxophone gigs in lofts, affairs with younger artists, a famous disregard for silence. A documentary titled Growing would have to confront the paradox of a man who refused to mature yet insisted on being taken seriously. The camera would catch the strain: the tremor in his hand after a night of drinking, the way he looked at his own early masterpieces (like Washington Crossing the Delaware) with a mixture of pride and disgust. Growing older, for Rivers, meant learning to fail in new ways.