Non ci resta che piangere (Nothing Left to Do But Cry), released in 1984, is a cornerstone of Italian comedy. It is the first and only collaboration between two of Italy’s most iconic comedic minds: Roberto Benigni (Tuscan) and Massimo Troisi (Neapolitan). Plot Summary
With their impeccable comedic timing and chemistry, Troisi and Celentano deliver a performance that will have you laughing out loud. From silly misunderstandings to outrageous adventures, the duo's antics are both entertaining and endearing.
Their dynamic is perfect. Benigni’s Saverio wants to change history; he writes manifestos, tries to start a peasant revolution, and argues with priests. Troisi’s Mario just wants to find a bar that serves decent coffee and take a nap in the hay. When the local lord sentences them to death, Saverio gives a heroic speech about freedom, while Mario mutters: "Non ci resta che piangere, davvero" (We have nothing left to do but cry, truly). Non Ci Resta Che Piangere Film
: In one of the most famous sequences, the duo meets Leonardo da Vinci and attempts to explain modern inventions like the thermometer, traffic lights, and trains
Decades after its release, Non Ci Resta Che Piangere remains a staple of Italian television and a point of reference in popular culture. It serves as a bittersweet reminder of the talent of Massimo Troisi, who passed away prematurely in 1994, and the early comedic brilliance of Roberto Benigni before his international acclaim with Life is Beautiful. For fans of Italian cinema, it is more than just a movie; it is a cherished piece of comedic heritage that continues to invite viewers to stop worrying about the destination and simply enjoy the ridiculous journey. AI responses may include mistakes. Learn more Non ci resta che piangere (Nothing Left to
What elevates this film from a simple sketch comedy to a masterpiece is its tone. The title itself—Nothing Left to Do But Cry—is a clue. As the film progresses, the comedy shifts into something more profound.
Language: The film is celebrated for its play on regional dialects, particularly Troisi’s thick Neapolitan accent, which has made many of its lines ("Mo' me lo segno") part of the Italian vernacular. The film uses time travel less as a
What is it?
A wonderfully bizarre Italian comedy co-directed by and starring Roberto Benigni and Massimo Troisi (another giant of Italian cinema). The title translates to Nothing Left to Do But Cry.